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Family or no family, that’s nine grown-ass men plus however many handlers, managers, and what have you. In 2015 there’s too much money, too many different options for people. I remember ’93 and the years around it, getting magazines and having them break down, “There’s nine members of the Wu, this guy’s signed here, this guy’s signed there,” and it being groundbreaking to have one group signed to one imprint with the ability to sign individually everywhere else.
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Is the question then, what’s up with RZA ? Has RZA creatively peaked? If we’re going back to the Wu-Tang albums being ideas that come out of RZA’s head, and for the last seven, eight years anything that’s Wu-Tang Clan related in terms of a full album isn’t really living up to anybody’s standards, who is to blame? The talent is there, yet RZA doesn’t know what to do with it.
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So what’s frustrating with the Wu-Tang Clan is, like, these guys are rare examples of rappers who do not go through the weird Ice Cube transformation of straight-up forgetting how to rap. What’s most important about those two albums, I think, is that they prove Ghost and Rae can still rap and write songs. 2 and those are solo projects.Īnd even those-they were dope on their own merits, but they didn’t really measure up to what Rae and Ghost were doing previously.
The highlight projects are like Fishscale and Only Built 4 Cuban Linx. Let’s see. ODB died in ’ 04, and after that there’s a U-God album, then Fishscale, an Inspectah Deck album, Method Man’s 4:21. When, do you think, was the beginning of the end for these guys? Was it Raekwon’s OB4CL2 in 2009? Was it Fishscale in ’06? All those modest, late-career solo successes? What’s the exact year when the Wu-Tang Clan kinda stops making sense, and jumps the shark?Īnd that was ’07. What’s the point of all this grandiose shit if nobody can even hear it? An album as an art piece is cool, but music is meant to be heard and enjoyed. You want people to hear an album, you want people to hear why you’re still ill, why you’re still relevant. An album about which Method Man and the Wu-Tang Clan have said, “Fuck that album.” Once Upon a Time in Shaolin, the final Wu-Tang album. The following is the transcript of their discussion.Ī conversation between Justin Charity ( and khal ( Alright, so let’s start at the end. As two thoughtful mourners of the Wu's expansive legacy, Complex staffers Justin Charity and khal shut themselves into a room for half an hour to determine when, exactly, the Wu-Tang Clan died, who killed it, and whether the Wu-Tang's influence is, indeed, forever. While the group's nine key members have spent the past year promoting A Better Tomorrow and Once Upon a Time in Shaolin, two last-call reunion albums, Raekwon, Ghostface, and Method Man have all publicly bucked RZA's creative direction and financial control of the Wu, having spent the past decade-and-a-half tending to prolific and profitable solo careers of their own.Īmidst a new wave of public bickering, as RZA prepares to auction the Wu-Tang Clan's one-of-a-kind final album, there's a creeping dread among many fans and rap critics who regret that the Wu's best days are now, indisputably, more than a decade behind them. Like a fake Rolex or the Soviet Union, the Wu-Tang Clan has fallen irreparably apart.